E-mail




Cancan (brass)

Price: NZ $40.00


Offenbach, Arranged by Mike Tupper

Instrumentation: Brass Quintet

Length: 4 Minutes

Difficulty: B Grade

Orphée aux Enfers (Orpheus in the Underworld), opéra bouffe (or opéra féerie in its revised version), is an operetta by Jacques Offenbach. The French text was written by Ludovic Halévy and later revised by Hector-Jonathan Crémieux.

The work is said to be the first classical full-length operetta. Offenbach's earlier operettas were small-scale one-act works, since the law in France did not allow certain genres of full-length works. Orpheus was not only longer, but more musically adventurous than Offenbach's earlier pieces.

This marked also the first time that Offenbach used Greek mythology as a backdrop for one of his buffooneries. The operetta is an irreverent parody and scathing satire on Gluck and his Orfeo ed Euridice and culminated in the risqué galop infernal (often copied, and erroneously called "Can-can") that shocked some in the audience at the premiere. Other targets of satire, as would become typical in Offenbach's burlesques, are the stilted performances of classical drama at the Comédie Française and the scandals in society and politics of the French Second Empire.

In the eyes of Clément and Larousse the piece is 'une parodie grotesque et grossière' (a coarse and grotesque parody), full of vulgar and indecent scenes that give off 'une odeur malsaine' (an unhealthy odor). In the opinion of Piat, however, Offenbach's Orphée is, like most of his major operettas, a bijou (jewel) that only snobs will fail to appreciate.The piece was not immediately a hit, but critics' condemnation of the travesty, particularly that of Jules Janin, who called it a "profanation of holy and glorious antiquity," only provided vital publicity, serving to heighten the public's curiosity to see the piece.

The Infernal Galop from Act II, Scene 2 is famous outside classical circles as the music for the "Can-can". Saint-Saëns borrowed the Galop, slowed it to a crawl and assigned it to the strings to represent the tortoise in The Carnival of the Animals.

The Scorch preview below shows an 'orchestral' brass quintet, we'll happily change this to a 'brass band' instrumentation (cornets, tenor horn, trombone and Eb bass) free of charge.

See the Scorch version below. For a larger, clearer version, click here!



If you cannot see the score get the FREE Sibelius Scorch plug-in here.





:




Last Updated: Thursday, 09 September 2010 16:59

Dual currencies display